All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
Supported by:
Supported by:
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Provoked Archaeologies #2
Installation, 2019
Excavated soil in the Amazonia rainforest, branches, and sisal rope
Variable Measures
Silence: Absence of sound
Silence cannot be heard. As soon as it is being listened to, it becomes clear that it consists of sounds. What steam is for air is what sound is for silence. The air, only becomes observable when it is filled with steam, silence when it is broken by the sound. Silence exists only as an idea. It transcends the sonic and takes on other forms – physical and spiritual.
When separated from its original environment these objects lost the connection between each other. When they are fed with the same audio frequency through the actuators they resonate in unique ways. It highlights their different properties, nature, and densities, and unexpectedly they start to share something in common again: the air. Which flows from their bodies and creates a still nature choral, enabling them became one thing connected within the gallery space.